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This circuit attempts to liven up mono sound sources by simulating a stereo signal. It does this by shifting certain frequencies between left and right to fool the ear. It can often produce a passable mock stereo sound to bring some depth to otherwise flat recordings. Of course, there is no way to produce real stereo sound from a purely mono source unless the synthesizer had a way to tell which direction the original sound came from, but an illusion is generally enough for all but the hard core audiophile. Read entire Article »